Why You Keep Falling Out of Your Pirouettes (And How to Fix It)
Keep falling out of your pirouettes? Learn the physics of torque, the 3 most common mistakes dancers make, and how FlowVision™ technology can fix your turns instantly.
Eric Borden


The Mystery of the "Bad Turn Day"
We’ve all been there. Tuesday, you are hitting clean triples. Wednesday, you can barely land a single. You blame the floor, your shoes, or just "having an off day."
But in physics, there is no such thing as an "off day." Gravity works the same way every morning.
If your turns are inconsistent, it’s not because the universe is against you. It’s because your technique has microscopic variables that you can't feel. A 2-degree drop in your heel or a 1-inch shift in your ribcage is enough to throw you off your axis.
Here is the science of why you fall, and how to stop it.
The Physics: Torque & The "Force Couple"
To turn, you need to generate Torque. In dance, this comes from the "Force Couple"—the push of your feet against the floor in opposite directions.
The Science: When you prep in 4th position, your front foot pushes forward and your back foot pushes backward. This creates the rotational force.
The Mistake: Many dancers just "stand" in 4th position and then try to spin by throwing their arms. This creates zero torque in the lower body, causing you to "wobble" immediately because your upper body is spinning faster than your legs.
The Fix: Think of your preparation like a coiled spring. Actively push into the floor before you release the turn.
Mistake #1: The Anterior Pelvic Tilt (The "Duck Butt")
This is the #1 reason dancers fall backward or forward out of a turn.
What it is: When your pelvis tips forward (like a bucket spilling water out the front), your lower back arches.
The Result: Your center of gravity shifts. To compensate, you throw your shoulders back. Now, you are fighting a losing battle against physics. You will inevitably fall out of the turn to catch yourself.
The Drill: "The Wall Test." Stand with your back against a wall in retiré (passé). If you can fit your whole hand behind your lower back, you are tilting. Engage your deep core (transverse abdominis) until your lower back flattens against the wall. That is your turning position.
Mistake #2: The Dropped Heel (Friction)
What it is: As you get tired, your relevé (the height of your heel) starts to lower.
The Physics: Lowering your heel increases the surface area of your shoe touching the floor. More surface area = More Friction.
The Result: Friction acts as a brake. You stop spinning before you finish your rotation, causing you to hop or step out early.
The Fix: You need calf stamina. You can't just "think" about a high relevé; you need the strength to hold it.
Mistake #3: The "Lazy" Spot (Vestibular Disorientation)
Spotting isn't just about style; it's a biological hack.
The Science: Your inner ear has fluid that tells your brain if you are moving. When you spin, that fluid sloshes around, making you dizzy. Spotting (keeping your eyes fixed on one point) keeps that fluid stable for as long as possible.
The Mistake: If your eyes "drift" or if you blink too much, the fluid moves, and your brain panics. Your body’s natural reaction to dizziness is to put a foot down to stabilize.
The Fix: Practice your spot slowly. Do ¼ turns, keeping your eyes on a target (like a clock) until your neck physically can't turn anymore, then snap it around.
The "1% Rule" for Better Turns
The biggest mistake dancers make is trying to fix everything at once. You cannot fix your spot, your arm placement, and your relevé simultaneously. Your brain will overload.
Instead, use the 1% Rule.
Pick one variable for your next practice session.
Tuesday: Focus 100% on keeping your heel as high as possible. Ignore your arms.
Wednesday: Focus 100% on snapping your head for the spot. Ignore your heel.
Thursday: Focus 100% on flattening your lower back (the pelvic tilt).
By isolating the variables, you build the neural pathways for each component separately. When you put them back together on Friday, the turn won't just be luck—it will be muscle memory.
Remember: A triple pirouette isn't magic. It's just a single pirouette with better physics.
Now, go find your center.